Grindcore's Internet-era globalization, while maligned for disintegrating the thrill and discovery of organic networking and tape-trading within the punk scene, brings the unquestionable advantage of leveling the playing field for bands outside of stereotypically accepted scene loci like North America and the UK. A non-US or UK band no longer has to be attached to a prominent label (or any at all) to gain international exposure, which, scene politics aside, is nothing but a great thing.
All this to say, then, that had the Internet never existed, I would never have heard this pair of Netherlands bands (or seen their satisfyingly colorful 7" cover art). Grinding Halt and Suffering Quota feel like children of that globalization, both in the musical styles they integrate into their sounds and because of the still-amazing fact that I'm listening to their music hundreds of miles away from where it was made, not thanks to label plugs or tape trading or letter-writing, but simply because of the magical musical equalizer that is Bandcamp and services like it.
Grinding Halt’s side opens with the lacerating “Kaaskopen,”
a shrill-vocaled, heavy-riffing piece of grinding fastcore that morphs into a
rich, Southern sludge metal after a mid-song bass break. Initially unassuming,
repeated plays reveal the sophistication it takes to blend the whole thing
together so effortlessly. While these sorts of structure aren’t new, the track
feels organic, and each section would work as well on its own as well as it does
as a part of a greater whole.
The standout track from either side, it is also a blueprint
track for the duality in Grinding Halt’s approach. Their other two contributions
(“Knuffelverzet” and “Bedrog”) are predominately in a groovy, Southern sludge
style à la Thou, with a hardcore punk accent to the vocals and instrumental
performances. The punk hybridization is
also present in the tracks’ lengths, as only one exceeds 2 minutes (and then
just barely), and their shrewd songwriting gives the tracks a sense of being
well-honed song nuggets rather than stunted throwaways.
“Bedrog” is pulled straight from the closing song handbook, as it is heavy, driving and feels like a recapitulation of the side’s previous sounds. With groovy Southern progressions and impassioned, frantic shouting, it shows a glint of that mournful, end-of-the-world quality found in many of the best album-ending songs.
“Bedrog” is pulled straight from the closing song handbook, as it is heavy, driving and feels like a recapitulation of the side’s previous sounds. With groovy Southern progressions and impassioned, frantic shouting, it shows a glint of that mournful, end-of-the-world quality found in many of the best album-ending songs.
Grinding Halt’s approach is upon first listen unusual, as
the switch from grindcore to sludge metal (but never, on this release, back to grindcore again) seems
to defy conventional wisdom. However, after some time spent with the songs, the
progression feels natural, and a well-curated continuation in a similar
direction could yield exciting results.
A batch of thick, mosh-ready grindcore songs
from Suffering Quota occupies the B side. “No Lust For Life” is a beatdown masquerading as a thrashing hardcore song, and the singer sounds like he’s screaming the title in your face,
with veins popping out on his neck and spittle flying from his mouth. Once the
song reaches its stride near the 50 second mark, the whole affair picks up
considerably, abandoning the mosh for the blast until a repeat of the opening “chorus”
finally melts into a closing vocal sample.
“Goodbye Self Awareness” is both the shortest and the
tightest track among their offerings here. It recalls, while considerably less outré, Total
Fucking Destruction’s most straightforward and punishing moments, or a genetic experiment between Noisear and PLF. Its barreling pace and frantic vocals mark it as a standout among Suffering Quota's tracks and a worthwhile starting point for those put off by the sometimes mid-paced, meaty sound of the band's other songs.
These are songs that sound manufactured for the pit veteran, not the
BPM fiend, and those looking for innovation or alienating speed would do better
searching elsewhere. However, those seeking well-produced, tough-sounding
grindcore for those “I want to break stuff” days that we all have will find a
lot to like about Suffering Quota's andrenalized death-thrash grind.
The transition from one side to the other is neither perfect nor overly jarring, and this certainly isn't the most unlikely pair of bands to share a split. The contrast between the two bands' production styles (Suffering Quota's sound is fuller and better-produced) makes the switch from one to the other noticeable, but in a few seconds the change is a non-issue.
Overall, this 7" is a fair introduction to two Dutch bands previously unknown to me. Neither band's output here has made me rush out and fill myself in on their back catalogs (I am, however, eyeing this pretty hard), but it has most definitely put the pair of them on my radar.
Stream or download Grinding Halt and Suffering Quota's Split 7" below or purchase the 7" from Give Praise in the US or Parade of Spectres in the UK.
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